
Everyone Is Everyone Now
On the new Apple TV show “Pluribus”






How Germany uses the singularity of the Holocaust to limit liability for its colonial crimes

How Germany’s cultural elite finds the opinion of Jewish artists hard to bear

How weapons continue to be shipped to Israel through Cologne




A writer visits his hometown and explores the legacy of guest workers in Germany




Philipp Peyman Engel, the Feuilleton section, and the power to decide who is Jewish in Germany

In his third column, Alexander Schnickmann is ghosted by his landlord, and searches for an end to the haunting

Painting, censorship, and the legacy of Joe Chialo, Berlin’s Senator for Culture and Social Cohesion
Responding to Towards a Non-Carceral Anti-Antisemitism The concept of “carceral anti-antisemitism” appears




How an image of a far-right TV host ignited an antisemitism controversy in France


The Berlinale’s reputation as a political film festival gets put to the test


How a group of Jewish concentration camp survivors became pimps, drug dealers, and criminals in postwar Frankfurt

Why repressive measures fail to combat antisemitism – and what strategies work better

In the second dispatch, Alexander Schnickmann searches for silence amid the rhythms of the city

In his first dispatch, deep in Berlin winter, Alexander Schnickmann begins on the dating app Grindr and ends up with friendship.




Emily Dische-Becker on the Berlin Senate’s proposed budget cuts to the cultural sector

A child of American missionaries in Germany searches for home between heaven and earth

Sarah Schulman discusses what contemporary protest movements can learn from the history of AIDS activism
